Liliana Gómez

is professor of Art and Society at the University of Kassel/Kunsthochschule Kassel and the documenta Institut. She leads the research project Contested Amnesia and Dissonant Narratives in the Global South. Post-Conflict in Literature, Art, and Emergent Archives. Recently she edited Performing Human Rights (Zurich, 2021) and co-edited with Lisa Blackmore Liquid Ecologies in Latin American and Caribbean Art (New York, 2020). She is the author of Lo urbano. Teorías culturales y políticas de la ciudad en América Latina (Pittsburgh, 2014).
Weitere Texte von Liliana Gómez bei DIAPHANES
  • Fotografie
  • Kulturwissenschaft
  • Denkt Kunst
  • Mediengeschichte
  • Gerechtigkeit
  • Kapitalismus
  • Performance
  • Gewalt
  • Archiv
  • Kollektives Gedächtnis
  • Karibik
  • Politik
  • Menschenrechte