Nachbilder, nicht komplementär
Dünne rote Linie
Sonnenlicht und Augenschmerzen
»Attentate auf den Sehnerv«
The index calculates everything. Announcements of awards, mostly false, light up then die. His dopamine balance feeds the list. Limbic structures support it. Brain means house, should have windows.
Asleep, Patrick sees what he doesn’t believe while he’s awake.
The index calculates everything. Announcements of awards, mostly false, light up then die. His dopamine balance feeds the list. Limbic structures support it. Brain means house, should have windows. But they’re slow shutter pictures of the past.
Five minutes past four, Patrick is woken up by a noise. He’s lying in the small room. Renate is sleeping in the big one.
“Maybe I’ll get an idea during the night,” he had justified his move to the couch, “Then I’ll have to send it to them. We’re sending the thing off tomorrow.” He was afraid of saying what he knew about Kerstin in his sleep, while lying next to Renate. In the darkness he feels the room buzzing at him. His brain answers the hum, singing sugar and protein, talking perineural network that controls the form and function of the synapses which guide all...
It was Gilles Deleuze who in various contexts underlined that what we most lacked was “belief in the world.” The odd remark appears, for example, in a conversation in 1990 with the Italian Marxist Antonio Negri about revolutionary emergence and the political force of minorities. In this dialogue Negri examines his interlocutor’s thought in the light of the “problem of the political,” which connects the various stages of the philosopher’s intellectual biography. Deleuze’s remark here is the reprise of a motif that would be familiar to readers of his second book on cinema, which appeared in 1985, in which Deleuze contends that the “power of modern cinema” is based on its ability to “give us back” our lost “belief in the world.”
At the end of the conversation Negri asks his dialogue partner about the possibility of present-day processes of subjectivization. After initially emphasizing the “rebellious spontaneity” of such processes, Deleuze...
With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.
J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience.
Und dass gemalte Bilder regelmäßig Auktionsrekorde brechen, zeugt davon, dass die Malerei nach wie vor eine Sonderrolle hat. Warum eigentlich?