With the help of Monique Wittig’s theoretical tools, Friederike Beier embarks on an inspiring journey toward a sexless society in which the categories of sex and gender have been overcome. By elaborating on the materialist references in Wittig’s theory, Beier illustrates what queer dialectical thinking in the tradition of Wittig could look like. They then productively apply this dialectical thinking to overcome the false juxtaposition of the categories of identity and class that is often found in today’s theoretical and political debates, namely by linking materialist feminism to the (de)construction of sexual difference and heterosexuality to overcome binary barriers of thinking.

Despite a historically rich tradition of thinking about the relation between sexuality, desire and revolution, there is little engagement with desire’s radicality today. This volume attends to the radicality of desire as a starting point for overcoming heteropatriarchal capitalism by turning to the specific radical homosexual critique as it was first formulated in France in the 1970s in the writings of the Mouvement de Libération des Femmes and the Front Homosexuel d’Action Révolutionnaire, as well as in the conceptions of their most important protagonists, Monique Wittig and Guy Hocquenghem. Radical Desires seeks to emphasize the anti-identitarian character of the French gay liberation movement, as well as its implicit and explicit critique of gender and sexual binaries.

At the same time, the volume is also interested in intersectionally expanding this critique by confronting it with anticolonial and queer of color perspectives. As French gay liberation activists’ relations to North African men were often problematic, several contributions engage with the latent orientalist and racist tropes that appear in the movement’s writings. By aiming to go beyond a mere historicization of these ambivalences and exploring which contemporary problems appear in a different light as a result, Radical Desires highlights the (dis-)continuous relationship between current debates and those in 1970s France.

To explore the multiplicity of forms with or in which these critiques were expressed, the volume places theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

With contributions by Friederike Beier, Antoine Idier, Émilie Notéris, Lukas Betzler, Mohammad Shawky Hassan, Sido Lansari, Todd Shepard and Julian Volz.