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Mark B. N. Hansen: The Critique of Data, or Towards a Phenomenotechnics of Algorithmic Culture
The Critique of Data, or Towards a Phenomenotechnics of Algorithmic Culture
(S. 25 – 74)

Mark B. N. Hansen

The Critique of Data, or Towards a Phenomenotechnics of Algorithmic Culture

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  • Digitale Kultur
  • Digitalisierung
  • Kritik

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Deutsch

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Deutsch, Englisch, Französisch

Mark B. N. Hansen

is the James B. Duke Professor in the Program in Literature and in the Department of Art, Art History and Visual Studies at Duke University, as well as co-founder of Duke’s pioneering Program in Computational Media Arts & Cultures and co-founder of the s-1: Speculative Sensation Lab. In work that ranges across a host of disciplines and areas, Hansen mines philosophical resources in order to explore and theorize the technological exteriorization of the human and the technical distribution of sensibility currently underway in our world today. Hansen is the author of Bodies in Code: Interfaces with New Media, New Philosophy for New Media, and Embodying Technesis: Technology Beyond Writing, and ­Feed-Forward: On the Future of Twenty-First-Century Media. In dialogue with French philosopher Gilbert Simondon, Hansen’s current research theorizes information as a process of individuation across biotic-abiotic divides and at multiple scales.
Weitere Texte von Mark B. N. Hansen bei DIAPHANES
Erich Hörl (Hg.), Nelly Y. Pinkrah (Hg.), ...: Critique and the Digital

The computerization of today’s world has fundamentally transformed the sites of and for critique, and it challenges the meaning of critique as such. The subject of critique, constituted through the cultural techniques of modernity, now collides with the digital, which, as a condition of contemporary life, can be seen both as a product of modernity and as its very ending. Digitality severely alters the subject of critique and its spacio-temporal relations; it may even deprive the subject of its potentiality to be critical in the first place. The authors of this volume therefore examine the existence of critique in the digital, asking what it might be and in what settings it occurs.