Warning (2): unlink(/www/htdocs/w008552b/testbett/relaunch2016/frontendDEV/app/tmp/cache/persistent/cake_core_object_map) [function.unlink]: No such file or directory [CORE/cake/libs/file.php, line 298]
diaphanes

Nutzerkonto

Kunst

»… Consistently Abused and Forced…«
»… Consistently Abused and Forced…«

Kati Kroß

Christoph Schlingensief's »Freakstars 3000«

When non-disabled artists such as Jérôme Bel or Christoph Schlingensief in their productions work with actors who, in hegemonic discourse, are referred to as disabled, they almost invariably face criticism over the exploitation and voyeuristic exhibition of these people. Bel’s Disabled Theater anticipated such reservations and took a good deal of wind out of its critics’ sails by having the performers themselves raise these issues on stage and report on their families’ reactions to the piece. Nevertheless, the question whether...
OPEN
ACCESS
  • Jérôme Bel
  • Disability Studies
  • Identität
  • Darstellende Kunst
  • Ästhetik
Aktuelle Texte
60 Billiarden Moleküle

Thomas Huber

60 Billiarden Moleküle

OPEN
ACCESS
EN
  • Biologie
  • Immunisierung
  • Lebenswissenschaften
  • Subjekt
  • Fremdes
Aktuelle Texte
Ist das Drama k.o.? Ist das Theater k.o.?

Alexander García Düttmann

Ist das Drama k.o.? Ist das Theater k.o.?

ABO EN
  • Gegenwartskunst
  • Theater
  • Alain Badiou
  • Zeremonie
  • Anarchie
  • Ästhetik
  • Theaterwissenschaft
  • Schauspiel
  • Öffentlichkeit

 

Themen
Aktuelle Texte
Blut!

Ines Kleesattel

Blut!

OPEN
ACCESS
EN
  • Gender
  • Feminismus
  • Weiblichkeit
  • Malerei
  • Subjektivierung
  • Körper
  • Blick

 

Photographs tend to suggest infinity
Photographs tend to suggest infinity

Siegfried Kracauer

The Photographic Approach (1951)

The photographic approach – that is, the effort to utilize the inherent abilities of the camera – is responsible for the particular nature of photographs. In the days of Zola and the Impressionists, the properties of photographs were commonly held to be the hallmarks of art in general; but no sooner did painting and literature break away from realism than these properties assumed an exclusive character. Since they depend upon techniques peculiar to the medium, they have remained stable throughout its evolution....
OPEN
ACCESS
  • Siegfried Kracauer
  • Fotografie
  • Geschichte der Fotografie
  • Medientheorie
  • Film
Aktuelle Texte
About ‘how we treat the others’

Artur Zmijewski

About ‘how we treat the others’

OPEN
ACCESS
DE
  • Migration
  • Polen
  • documenta
  • Gabe
  • Gegenwartskunst
  • Nationalsozialismus
  • Lager
  • Politische Ästhetik
  • Ethik
  • Propaganda