"Trying to compete in the economy of attention from the field of contemporary art is a naive goal in the twenty-first century."

Strangeness is everywhere, but strangers are only where we define them.

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

Mehdi Belhaj Kacem considère le passé et l’avenir à la lumière du spectacle du capitalisme esthétique, devenu toujours plus débridé depuis la mort de Debord.

In his photographs and texts, ­Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

»Lebensweise müsste o.g. Personenkreisen angepasst sein bzw. sich leicht anpassen lassen«, »künstlerische Begabung«, »gute Allgemeinbildung«…