Nutzerkonto

Kunst

Skin marks us in the world
Skin marks us in the world

Eduardo Jorge de Oliveira

Invented Skins

You never know how many skins you have had by having a single skin. However, this skin has an inseparable memory of the future. Its vital movement depends on this dynamic that inserts it in a specific present. Thus, if skin makes us human, it is also a set of points that mark different ways of feeling. We feel the world through the fragility of our skin. Microorganisms exist in this skin. The most human portion also contains inhuman matter...
  • Brasilien
  • Denkt Kunst
  • Haut
  • Ästhetik
  • Avantgarde
Aktuelle Texte
Ist das Drama k.o.? Ist das Theater k.o.?

Alexander García Düttmann

Ist das Drama k.o.? Ist das Theater k.o.?

ABO EN
  • Alain Badiou
  • Theaterwissenschaft
  • Schauspiel
  • Zeremonie
  • Gegenwartskunst
  • Öffentlichkeit
  • Ästhetik
  • Anarchie
  • Theater

 

Themen
Aktuelle Texte
Saturnaaaaalien

Sina Dell’Anno

Saturnaaaaalien

OPEN
ACCESS
EN
  • Zensur
  • Rhetorik
  • Diskursgeschichte
  • Rom
  • Antike
  • Freiheit

 

Time Probe Zero Synthesis
Time Probe Zero Synthesis

DIAPHANES MAGAZINE No. 3

Where is the present when the computer pulses at the wrist every day, when we’re globally interconnected in real time but don’t take in our ­selves for a single moment, just bits and pieces, just snatching a few intensities, when neurons plus communication already makes a consciousness? Is it nothing but a hallucination, in permanent crisis? Does it stand still, get wider, poorer? How does the past change when systems record every second, saving them for the right moment or for...
  • Gegenwartskultur
  • Gegenwartsliteratur
  • Diskurs
  • Kunst
  • Gegenwartskunst
Aktuelle Texte
About ‘how we treat the others’

Artur Zmijewski

About ‘how we treat the others’

OPEN
ACCESS
DE
  • Nationalsozialismus
  • documenta
  • Ethik
  • Gabe
  • Polen
  • Propaganda
  • Politische Ästhetik
  • Gegenwartskunst
  • Migration
  • Lager