I.V. Nuss
Die Liebe im Konvexen, in der totalen Rundung und zur Slutifizierung aller Männer westlich des Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Barbara Vinken
Geistige Mütter
Sina Dell’Anno
Punk / Philology
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Johanna Went
I remember (Johanna Went)
Donatien Grau, James Spooner
Afropunk Philology
Zoran Terzić
The Grand Generalization
Kai van Eikels
Do in What's Doing, Democracy in!
A. L. Kennedy
Was ist ein Autor?
A. L. Kennedy
What is an Author?
Jean-Luc Nancy
Après les avant-gardes
Jean-Luc Nancy
Nach den Avantgarden
Zoran Terzić
The Tautomaniac
Hans Block, Moritz Riesewieck
What we don’t see
Andreas L. Hofbauer
Yoke
Sina Dell’Anno
Oratio Soluta
Axel Dielmann
The Dressmaker
Angelika Meier
Wer ich wirklich bin
Jean-Luc Nancy
Zah Zuh
Barbara Basting
Der Algorithmus und ich 4
Michele Pedrazzi
The Next Bit: un corps à corps avec l’inconnu
A.K. Kaiza
Eine kommentierte Geschichte Wakandas
Stephen Barber
A War of Fragments: World Versus America
Marcus Quent
Verrinnen der Zeit und Glaube an die Welt
Maël Renouard
The Twilight of Classification?
Rolf Bossart, Milo Rau
Über Realismus
Eric Baudelaire
Abecedarium
Stephen Barber
Futurama Nights, October 1978
Artur Zmijewski
Conversation on “Glimpse”
Tyler Coburn
Quaddie
Mário Gomes
Brandsatz & Ästhetik
Peter Ott
Die monotheistische Zelle oder Berichte aus der Fiktion
Facebooks Algorithmus hat mir oft genug Erinnerungen an meine Türkei-Reisen serviert, gibt nun aber Gegensteuer und präsentiert plötzlich ganz andere...
Ich sitze in der Lobby eines Hotels in China. Zum Hotel inmitten einer toskanisch anmutenden Landschaft, in das ich mit...
Ich bin nicht mehr sehr zufrieden mit Facebook. Denn in jüngerer Zeit scheint der Algorithmus dort ein totales Willkürregime zu...
Der Facebook-Algorithmus hat mitbekommen, dass ich was mit Kunst und Museen habe und setzt mir aus dem Pool meiner früheren...
DIAPHANES fragt nach Relikten von Zukunftsvisionen in den Bildräumen der Vergangenheit, nach Spuren und Signaturen eines einst Vorstellbaren und zeitlos Möglichen.
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
In der Folge von Georges Perecs Erinnerung 480: "Ich erinnere mich… (Fortsetzung folgt…)"
Lärmende Zeitkapseln, rare Bijous, unverzichtbares Sperrgut aller Epochen, Sprachen und Genres.
A for Anomie
The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.
Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.
B for Block or Blocked
If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...
I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the flamingo cookie jar, the cutlery, and the cookware, but stopped briefly, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...
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»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.